IA 3D : dirigez la caméra dans une maquette 3D et obtenez une vidéo réaliste

IMAGE / VIDEO REFERENCE MAP
• @Video1 (3D blockout, 20s) → camera, staging and timing: one continuous FPV drone shot, no cuts. Copy every camera move exactly; inside the car the camera always faces the driver. Ignore its grey colours and boxy shapes.
• @Image1 (vehicle sheet) → the battered old Tofaş Şahin: cream paint, primer-grey passenger door, rust, roof rack, fringed red dashboard rug, bead seat cover, evil-eye charm = the cream car parts in @Video1.
• @Image2 (sheet), @Image3 (real photo) → the new deep red TOGG T10X: chrome tulip grille, slim LED lights, full-width rear light bar, light grey interior, wide screen = the red car parts in @Video1.
• @Image4, @Image5 (real photos) → real Istanbul street look: worn asphalt, colourful old buildings, shop signs, yellow taxis; layout follows @Video1.
DRIVER (no image): Turkish man, 30s, thick black mustache, aviator sunglasses, white t-shirt under an open shirt; face, body and hands on the wheel stay visible. As his cabin changes he glances around and grins.
TRANSFORMATION, from where he sits outward: 5.6s seat, wheel, dashboard; 7–8.5s the seam runs along the hood toward the camera; 8.5s front, pillars, roof; 11.4s sides and wheels; 13s rear. Old paint, rust and panels crumble into fine metal flakes and dust that drift away, revealing the finished glossy TOGG surface beneath; soft warm glow on the seam. Real materials, no wireframe or hologram grid. The evil-eye charm stays.
ACTION: traffic waits at a red light. Dive onto the Şahin, in through the open passenger window, backwards out through the windshield, low over the hood, around to the rear wheel. 16.3s green light, tyre smoke; 17s the TOGG launches with real weight transfer toward the Bosphorus bridge as the camera rises.
LOOK: real FPV footage on an actual Istanbul street, true-to-life colours, natural afternoon sun, realistic exposure, motion blur, dust and grime. Not CGI.
SOUND: street noise, whooshes, metallic crackle, electric whine.

IMAGE / VIDEO REFERENCE MAP
• @Video1 (3D blockout, 8s) → motion, staging and camera reference: where everything stands and moves, and the camera above all. Reproduce every camera move of @Video1 with the same direction, speed, distance and lens, and the exact timing of each cut; never turn a moving shot into a static one. Smooth subject motion into physically plausible movement. Do not copy its flat colours, boxy shapes or untextured look.
• Environment (no image): a narrow, steep-walled old Istanbul street at night in heavy rain, wet glossy cobblestones reflecting warm street lamps and shop window…. Layout follows @Video1.
Also in the scene: rain puddles on the cobblestones reflecting the lights (the cyan block); a red mid-size delivery motorbike with a bright headlight, wet and glistening in the rain (the red block bike); a delivery courier in a bright orange rain jacket with reflective stripes, dark navy waterproof trousers, black boots and a full-face… (the orange block figure).
ACTION: At night in heavy rain, a courier on a red motorbike with a teal delivery box rides down a narrow cobblestone street in old Istanbul, headlight glaring toward a low ground-level camera (0–3 s), and passes right beside it at about 2.8 s. At 3 s a hard cut…
SHOTS: 0–3s: low-angle hero shot from near the ground looking up at the orange block figure, slowly pushing in…. 3–6s cut: tracking shot following the red block bike from behind, gradually swinging around to its side as…. 6–8s cut: drone shot rising up and pulling away from the orange block figure, revealing the whole location….
LOOK: photorealistic live-action footage shot on 35mm film, natural lighting, realistic textures, subtle film grain. It is night: practical lights and cool moonlight, not daytime.

IMAGE / VIDEO REFERENCE MAP
• @Video1 (3D blockout, 6s) → motion and staging reference only: where everything stands and moves, every camera position and lens, and the exact timing of each cut. Follow its intent, not its exact keyframes; smooth all movement into continuous, physically plausible motion. Do not copy its flat colours, boxy shapes or untextured look.
• @Image1 (vehicle sheet) → an orange late-90s Japanese sports coupe with sleek headlights and a rear wing, lifted on red jack stands; this is the orange block car in @Video1.
• @Image2 (location) → environment style reference, not the exact layout: a small Japanese tuning garage with timber stud walls and OSB panels, exposed roof joists, Japanese tuning banners, a pegboard tool wall, metal shelving with stacked tyres and an oil-stained…. Layout follows @Video1.
Also in the scene: four red jack stands under the car (the red block); a low black mechanic's creeper on small caster wheels (the dark grey block); a young mechanic with curly light-brown hair, a grey tee and light-wash denim shorts, white socks and white retro sneakers (the teal block figure); a red steel toolbox with colourful screwdriver handles sticking out of the top (the red block).
ACTION: A mechanic lies on a creeper under the front of a lifted orange coupe working with his arms raised, then rolls out feet-first and lets his arms drop; at 5 seconds a hard cut to a high front-left angle.
SHOTS: 0–5s: low side angle at floor level with a wide 18mm lens, framing the mechanic's upper body as he rolls out from under the front of the car…. 5–6s cut: hard cut, then a rapid robotic-arm move swinging down from a high front-left angle toward the mechanic, wide 20mm lens.
LOOK: photorealistic live-action footage shot on 35mm film, natural lighting, realistic textures, subtle film grain. Lighting is natural daytime, not night.