Guide · 14 min read · Updated November 3, 2026

How to make an AI influencer, step by step

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@Image1 and @Image2 show the same young woman, Mira: keep her face, freckles, the small beauty mark on her left cheekbone, hazel-green eyes and her own wavy dark-brown hair with curtain bangs exactly. @Image3 and @Image4 show her costume: keep it exactly.
ONE CONTINUOUS SHOT, NO CUTS: a smooth gimbal camera follows Mira at walking pace through an opulent ancient Egyptian palace by the Nile at golden hour. Steady and calm camera, no fast moves, no whip pans.
0-5s: a sunlit courtyard with a long lotus pool. The off-screen cameraman asks if she's ready; she glances back and smiles.
5-10s: two servants bring a golden tray of tea in tulip-shaped glasses; Mira takes one without stopping.
10-17s: a hall of painted columns where a barber on a ladder shaves a giant Sphinx covered in shaving foam.
17-23s: in a treasure room, a courier in a plain grey uniform (no logos) asks her to sign a tablet.
23-30s: she sits on a golden throne, looks into the camera and covers the lens with her palm; the frame goes dark.
Sounds: footsteps on stone, servants murmuring, tea glasses clinking, the razor scraping, distant birds.

1. 1. The drawbridge: a supercar rolls into the castle · 0.0–4.0 s

   Camera: Low hero angle from the bridge deck, 24mm; the camera is locked off and only the car moves.

   References: @Image1 car · @Image2 town

   Seedance 2.5 Reference · 4 s · 480p · 4:3

   @Image1 shows the car: keep it exactly: a bright yellow Italian-style supercar with sharp angular lines, scissor doors, dark tinted windows and black wheels with plain matte-black centre caps; plain bodywork with no logos, no badges, no emblems anywhere (not on the wheels, not on the nose), no text, no licence plate. @Image2 shows the town: match its architecture, pale limestone, red-tiled timber-framed houses, cobbles and warm light.
   ONE SHOT, 4 seconds, no cuts. Late morning, warm sunlight. The outer end of a lowered wooden drawbridge across a green moat, leading to the town gatehouse: a massive pale limestone gate tower with a raised iron portcullis and heavy iron chains running up into the tower. Two guards in mail shirts and iron kettle helmets, holding halberds, stand on either side of the open gate facing the bridge; a peasant with a handcart of hay has stepped aside at the edge of the bridge.
   Everyone wears accurate 14th-century clothing (wool tunics, linen coifs, hooded capes; guards in mail shirts and iron kettle helmets). The only modern thing in the whole frame is the yellow supercar, plain and unbranded: no logos, no readable text anywhere.
   0-1s: the yellow supercar is already on the drawbridge just in front of the camera, seen from behind at a three-quarter angle, rolling slowly toward the open gate.
   1-3s: it rolls on slowly and steadily over the thick planks toward the gate; the chains sway slightly; the two guards do not move, they only follow it with their eyes.
   3-4s: the car reaches the shadow of the gate arch; the peasant with the handcart watches it with a blank face.
   Camera: Heroic low-angle shot from the deck of the drawbridge, the lens just above the planks, 24mm, looking up at the car and the towering gatehouse against the blue sky; the camera is locked off and does not move; only the car moves. The driver is hidden behind the dark tinted rear window.
   Real documentary footage shot on location, natural true-to-life colours, real skin texture, no CGI look, no colour grading, no film grain, no text on screen.
   Sound: natural ambience and real sound effects only: a deep supercar engine burble echoing off the stone gate, thick wooden planks creaking under the tyres, iron chains clinking, water birds. No music. No dialogue: nobody speaks; any crowd sound is a wordless murmur or cheer.

2. 2. Stepping out; a stable boy offers hay to the air intake · 4.0–8.5 s

   Camera: Wide shot at wheel height, 35mm, apples soft in the foreground; a snap zoom to the groom at 5.5 s, then a sharp hold.

   References: @Image1 outfit close-up (face visible) · @Image2 outfit body (faceless crop) · @Image3 outfit detail (faceless crop) · @Image4 car · @Image5 town

   Seedance 2.5 Reference · 8 s · 480p · 4:3

   @Image1 shows the young woman, Mira: keep her face, freckles, the single small beauty mark on her left cheekbone, hazel-green eyes and her wavy dark-brown hair with curtain bangs exactly. @Image2 and @Image3 show her 14th-century noble outfit; keep it exactly and unchanged: a deep sapphire-blue velvet gown with small gold buttons and gold-embroidered bands, a sapphire velvet mantle with a wide white ermine collar held by a gold chain between two round brooches, a low girdle of gold plaques, a slim gold circlet with a small sapphire, small gold hoop earrings, and flat soft pointed medieval leather shoes with no heels. @Image4 shows the car: keep it exactly: a bright yellow Italian-style supercar with sharp angular lines, scissor doors, dark tinted windows and black wheels with plain matte-black centre caps; plain bodywork with no logos, no badges, no emblems anywhere (not on the wheels, not on the nose), no text, no licence plate. @Image5 shows the town: match its architecture, pale limestone, red-tiled timber-framed houses, cobbles and warm light.
   ONE SHOT, 8 seconds, no cuts. Late morning, warm sunlight, the cobblestone market square: timber-framed houses, market stalls with baskets of apples and bread, the round stone fountain behind; townsfolk stand at a polite distance.
   Everyone wears accurate 14th-century clothing (wool tunics, linen coifs, hooded capes; guards in mail shirts and open-faced iron kettle helmets, faces clearly visible, no visors, no face masks). The only modern thing in the whole frame is the yellow supercar, plain and unbranded: no logos, no readable text anywhere.
   0-3s: the yellow supercar rolls slowly into the square from the left and comes to a smooth stop on the cobbles, its left side to the camera; the townsfolk step back and watch.
   3-5s: the driver's scissor door swings slowly upward and Mira steps out gracefully, lifting the hem of her gown; her flat pointed medieval leather shoe (no heel) touches the cobbles; she stands tall beside the car.
   5-8s: a young stable groom in a brown wool tunic hurries in and holds a bundle of hay up to the car's big side air intake, as if feeding a horse; Mira gives him a small deadpan glance.
   Camera: Static wide shot at wheel height on a 35mm lens, a basket of apples on a market stall softly out of focus in the foreground. 0-5s: the camera is still. At 5.5s a fast snap zoom-in to the groom holding the hay up to the air intake, then hold steady and sharp until the end. No whip pans, no shake.
   Real documentary footage shot on location, natural true-to-life colours, real skin texture, no CGI look, no colour grading, no film grain, no text on screen.
   Sound: natural ambience and real sound effects only: the soft hum of the door mechanism, footsteps on cobbles, chickens, the wordless murmur of the market. No music. No dialogue: nobody speaks; any crowd sound is a wordless murmur or cheer.

3. 3. Gold from a cash machine in the castle wall · 8.5–11.7 s

   Camera: Over Mira's shoulder, 50mm, her ermine collar soft in front; a snap zoom to the slot at 2 s, then a sharp hold.

   References: @Image1 Mira, front portrait · @Image2 Mira, 3/4 close-up · @Image3 outfit body (faceless crop) · @Image4 outfit detail (faceless crop) · @Image5 town

   Seedance 2.5 Reference · 6 s · 480p · 4:3

   @Image1 and @Image2 show the same young woman, Mira: keep her face, freckles, the single small beauty mark on her left cheekbone, hazel-green eyes and her wavy dark-brown hair with curtain bangs exactly. @Image3 and @Image4 show her 14th-century noble outfit; keep it exactly and unchanged: a deep sapphire-blue velvet gown with small gold buttons and gold-embroidered bands, a sapphire velvet mantle with a wide white ermine collar held by a gold chain between two round brooches, a low girdle of gold plaques, a slim gold circlet with a small sapphire, small gold hoop earrings, and flat soft pointed medieval leather shoes with no heels. @Image5 shows the town: match its architecture, pale limestone, red-tiled timber-framed houses, cobbles and warm light.
   ONE SHOT, 6 seconds, no cuts. Midday, warm sunlight. Beside the town gate, a modern cash machine is set into a carved pointed-arch stone niche in the pale limestone wall: a brushed-steel front, a softly glowing plain blue screen, a plain keypad and a wide slot. Right beside the niche, a knight in full steel plate armour stands with both gauntlets resting on the pommel of his sword, like a bank security guard.
   Everyone wears accurate 14th-century clothing (wool tunics, linen coifs, hooded capes; guards in mail shirts and iron kettle helmets). The only modern thing in the whole frame is the cash machine (its screen shows only a plain glow: no text, no numbers, no icons), plain and unbranded: no logos, no readable text anywhere.
   0-2s: Mira holds her embroidered leather purse open under the slot; the machine whirrs; the knight stands guard beside it.
   2-4s: a thick, glittering cascade of gold coins pours from the slot into the purse, coins tumbling and flashing in the sun.
   4-6s: the purse is full and heavy; she pulls the drawstring tight while the coins keep glinting.
   Camera: Over-the-shoulder medium shot from just behind Mira's left shoulder on a 50mm lens: her ermine collar and hair softly out of focus in the foreground, the cash machine sharp in its stone niche, the armoured knight beside it. 0-2s: the camera is still. At 2s a fast snap zoom-in to the coin slot and the purse, then hold steady and sharp on the pouring gold coins until the end. No whip pans, no shake, no motion blur on the coins.
   Real documentary footage shot on location, natural true-to-life colours, real skin texture, no CGI look, no colour grading, no film grain, no text on screen.
   Sound: natural ambience and real sound effects only: the soft whirr of the machine, a long cascade of clinking gold coins, birds, a distant wordless market murmur. No music. No dialogue: nobody speaks; any crowd sound is a wordless murmur or cheer.

4. 4. Contactless payment at the blacksmith's · 11.7–14.3 s

   Camera: Over the blacksmith's shoulder, 50mm; a snap zoom to the card at 2 s, then a hold.

   References: @Image1 outfit body (faceless crop) · @Image2 outfit detail (faceless crop)

   Seedance 2.5 Reference · 6 s · 480p · 4:3

   @Image1 and @Image2 show a noblewoman's 14th-century outfit; keep its sleeve exactly: deep sapphire-blue velvet with small gold buttons from elbow to wrist and a gold-embroidered cuff, gold rings on her fingers.
   ONE SHOT, 6 seconds, no cuts. Midday. A blacksmith's open-fronted forge on the market square, under a timber roof: bright daylight from the street plus the orange glow of the hearth; a glowing horseshoe on the anvil; sparks drift in the soft background.
   Everyone wears accurate 14th-century clothing (wool tunics, linen coifs, hooded capes; guards in mail shirts and iron kettle helmets). The only modern thing in the whole frame is a small black handheld card payment terminal (its little screen shows only a plain glow: no text, no numbers), plain and unbranded: no logos, no readable text anywhere.
   0-2s: the blacksmith holds the card terminal out over the anvil; a slender woman's hand with gold rings, in the sapphire velvet sleeve with gold buttons, brings a completely plain matte-black card, blank on both sides, toward it.
   2-4s: the card touches the terminal and a small green light blinks with a soft beep.
   4-6s: she withdraws her hand and the blacksmith picks up his hammer again.
   Camera: Over-the-shoulder medium shot from behind the blacksmith's right shoulder on a 50mm lens: his scorched leather apron strap and shoulder softly out of focus in the foreground, the terminal and her hand sharp. 0-2s: the camera is still. At 2s a fast snap zoom-in to the card touching the terminal, then hold steady and sharp until the end. No whip pans, no shake, no motion blur.
   Real documentary footage shot on location, natural true-to-life colours, real skin texture, no CGI look, no colour grading, no film grain, no text on screen.
   Sound: natural ambience and real sound effects only: the crackle of the forge fire, a soft electronic beep, a hammer ringing on an anvil. No music. No dialogue: nobody speaks; any crowd sound is a wordless murmur or cheer.

5. 5. The drift: spinning tyre and smoke · 14.3–16.8 s

   Camera: Low medium shot at cobblestone level, 50mm; a snap zoom to the tyre at 1.5 s, one slow pull-back at 4 s.

   References: @Image1 car · @Image2 town

   Seedance 2.5 Reference · 6 s · 480p · 4:3

   @Image1 shows the car: keep it exactly: a bright yellow Italian-style supercar with sharp angular lines, scissor doors, dark tinted windows and black wheels with plain matte-black centre caps; plain bodywork with no logos, no badges, no emblems anywhere (not on the wheels, not on the nose), no text, no licence plate. @Image2 shows the town: match its architecture, pale limestone, red-tiled timber-framed houses, cobbles and warm light.
   ONE SHOT, 6 seconds, no cuts. Afternoon, bright warm sunlight, the cobblestone market square: the round stone fountain, timber-framed houses with red-tiled roofs and market stalls; townsfolk stand safely back along the house fronts and watch.
   Everyone wears accurate 14th-century clothing (wool tunics, linen coifs, hooded capes; guards in mail shirts and iron kettle helmets). The only modern thing in the whole frame is the yellow supercar, seen only from its left side and rear; its nose is never visible, plain and unbranded: no logos, no readable text anywhere.
   0-1.5s: the yellow supercar slides sideways past the fountain in a smooth, controlled drift, seen from its left side and rear; its rear tyre spins on the cobbles.
   1.5-4s: thick white smoke pours from the spinning rear tyre and billows up, glowing in the sunlight.
   4-6s: the car keeps circling the fountain inside its own cloud of smoke; the townsfolk watch with blank faces.
   Camera: Low-angle medium shot at cobblestone level on a 50mm lens, the corner of a market stall's canvas awning softly out of focus in the foreground. 0-1.5s: the camera is still. At 1.5s a fast snap zoom-in to the spinning rear tyre and the smoke pouring from it, then hold steady and sharp on the tyre and the smoke. At 4s one slow pull-back reveals the fountain and the watching crowd. No whip pans, no shake, no motion blur on the car body.
   Real documentary footage shot on location, natural true-to-life colours, real skin texture, no CGI look, no colour grading, no film grain, no text on screen.
   Sound: natural ambience and real sound effects only: a roaring supercar engine, screeching tyres, a wordless gasp from the crowd. No music. No dialogue: nobody speaks; any crowd sound is a wordless murmur or cheer.

6. 6. Top-down drift: a smoke ring around the fountain · 16.8–19.4 s

   Camera: Straight-down drone shot; the camera never moves.

   References: @Image1 car · @Image2 town

   Seedance 2.5 Reference · 4 s · 480p · 4:3

   @Image1 shows the car: keep it exactly: a bright yellow Italian-style supercar with sharp angular lines, scissor doors, dark tinted windows and black wheels with plain matte-black centre caps; plain bodywork with no logos, no badges, no emblems anywhere (not on the wheels, not on the nose), no text, no licence plate. @Image2 shows the town: match its architecture, pale limestone, red-tiled timber-framed houses, cobbles and warm light.
   ONE SHOT, 4 seconds, no cuts. Afternoon, bright sunlight. A straight-down overhead drone view of the cobblestone market square: the round stone fountain in the centre, market stalls with canvas awnings and red-tiled roofs at the edges of the frame, townsfolk standing safely back along the house fronts, a few chickens.
   Everyone wears accurate 14th-century clothing (wool tunics, linen coifs, hooded capes; guards in mail shirts and iron kettle helmets). The only modern thing in the whole frame is the yellow supercar, plain and unbranded: no logos, no readable text anywhere.
   0-1s: the yellow supercar is already sliding sideways around the fountain in a smooth, controlled drift.
   1-3s: it keeps circling the fountain sideways, drawing a ring of white tyre smoke on the cobbles; chickens flutter out of the way; the crowd stays back at the edges.
   3-4s: a perfect smoke ring hangs around the fountain as the car completes the circle.
   Camera: Static top-down overhead shot from a high drone, looking straight down; the camera does not move at all; only the car and the smoke move.
   Real documentary footage shot on location, natural true-to-life colours, real skin texture, no CGI look, no colour grading, no film grain, no text on screen.
   Sound: natural ambience and real sound effects only: a revving supercar engine, screeching tyres, squawking chickens, a wordless gasp from the crowd. No music. No dialogue: nobody speaks; any crowd sound is a wordless murmur or cheer.

7. 7. A money gun over the crowd from the castle stairs · 19.4–23.3 s

   Camera: Slow motion; low angle from inside the crowd, 35mm, one slow push-in.

   References: @Image1 Mira, front portrait · @Image2 Mira, 3/4 close-up · @Image3 outfit, full length · @Image4 outfit close-up (face visible) · @Image5 town

   Seedance 2.5 Reference · 4 s · 480p · 4:3

   @Image1 and @Image2 show the same young woman, Mira: keep her face, freckles, the single small beauty mark on her left cheekbone, hazel-green eyes and her wavy dark-brown hair with curtain bangs exactly. @Image3 and @Image4 show her 14th-century noble outfit; keep it exactly and unchanged: a deep sapphire-blue velvet gown with small gold buttons and gold-embroidered bands, a sapphire velvet mantle with a wide white ermine collar held by a gold chain between two round brooches, a low girdle of gold plaques, a slim gold circlet with a small sapphire, small gold hoop earrings, and flat soft pointed medieval leather shoes with no heels. @Image5 shows the town: match its architecture, pale limestone, red-tiled timber-framed houses, cobbles and warm light.
   ONE SHOT, 4 seconds, no cuts. Late afternoon, the low golden sun behind her. Mira stands at the top of the broad outer stone staircase of the castle keep; a crowd of peasants in wool tunics and linen coifs fills the courtyard at the foot of the stairs.
   Everyone wears accurate 14th-century clothing (wool tunics, linen coifs, hooded capes; guards in mail shirts and iron kettle helmets). The only modern thing in the whole frame is a plain matte-black handheld money gun (a party cash cannon) in her hand, which sprays plain blank pale-gold paper notes with no print, no text, no numbers and no faces, plain and unbranded: no logos, no readable text anywhere.
   0-1s: she holds the money gun up over the crowd, notes already flying out of it.
   1-3s: in slow motion the notes stream out and drift down through the golden backlight like falling leaves; the peasants' raised hands reach up in the foreground.
   3-4s: she keeps spraying with a calm, satisfied smile while the notes keep floating down.
   Camera: Filmed in slow motion. Low angle from inside the crowd at the foot of the stairs, 35mm, looking up at Mira against the bright sky; one slow, steady push-in; the sun rims her hair and the ermine collar, and light bouncing off the pale stone steps lights her face clearly.
   Real documentary footage shot on location, natural true-to-life colours, real skin texture, no CGI look, no colour grading, no film grain, no text on screen.
   Sound: natural ambience and real sound effects only: the rhythmic whirr of the money gun, fluttering paper, a joyful wordless cheer from the crowd. No music. No dialogue: nobody speaks; any crowd sound is a wordless murmur or cheer.

8. 8. Champagne with a sparkler at the feast · 23.3–25.8 s

   Camera: Symmetrical one-point shot down the table, 28mm; one slow dolly in, no zoom.

   References: @Image1 Mira, front portrait · @Image2 Mira, 3/4 close-up · @Image3 outfit, full length · @Image4 outfit close-up (face visible)

   Seedance 2.5 Reference · 4 s · 480p · 4:3

   @Image1 and @Image2 show the same young woman, Mira: keep her face, freckles, the single small beauty mark on her left cheekbone, hazel-green eyes and her wavy dark-brown hair with curtain bangs exactly. @Image3 and @Image4 show her 14th-century noble outfit; keep it exactly and unchanged: a deep sapphire-blue velvet gown with small gold buttons and gold-embroidered bands, a sapphire velvet mantle with a wide white ermine collar held by a gold chain between two round brooches, a low girdle of gold plaques, a slim gold circlet with a small sapphire, small gold hoop earrings, and flat soft pointed medieval leather shoes with no heels.
   ONE SHOT, 4 seconds, no cuts. Late afternoon, the great hall of the castle: one long oak banquet table runs straight down the middle of the hall from the camera to the far wall, covered with white linen, silver platters of roast meat, bread, grapes and pewter goblets; tall arched windows on both sides flood the hall with bright daylight and dozens of candles burn on iron wheel chandeliers; nobles in rich 14th-century clothes sit along both sides. At the far end, in the centre of the frame, Mira sits on a high-backed carved oak chair.
   Everyone wears accurate 14th-century clothing (wool tunics, linen coifs, hooded capes; guards in mail shirts and iron kettle helmets). The only modern thing in the whole frame is a champagne bottle with a fizzing sparkler on its neck (plain gold foil, no label text), plain and unbranded: no logos, no readable text anywhere.
   0-1s: the lively feast; Mira sits calmly at the head of the table.
   1-3s: a servant in a livery tunic walks up beside the table toward her, holding the champagne bottle high, its sparkler spraying bright sparks; the nobles turn their heads to watch it pass.
   3-4s: he sets the bottle down in front of Mira; she gives a tiny satisfied nod.
   Camera: Perfectly symmetrical one-point-perspective shot down the length of the table from its near end, at the eye level of the seated guests, 28mm; one slow, steady dolly push-in along the table toward Mira; no zoom, nothing fast. The hall is bright and evenly lit; every face is clearly visible.
   Real documentary footage shot on location, natural true-to-life colours, real skin texture, no CGI look, no colour grading, no film grain, no text on screen.
   Sound: natural ambience and real sound effects only: the fizz and crackle of the sparkler, clinking goblets, a lively wordless murmur of the guests. No music. No dialogue: nobody speaks; any crowd sound is a wordless murmur or cheer.

9. 9. Back from shopping on a dragon · 25.8–29.7 s

   Camera: Low wide shot from the courtyard floor, 35mm, the dragon's tail soft in front; a snap zoom at 3.5 s, then a hold.

   References: @Image1 Mira, front portrait · @Image2 Mira, 3/4 close-up · @Image3 outfit body (faceless crop) · @Image4 outfit detail (faceless crop) · @Image5 dragon · @Image6 town

   Seedance 2.5 Reference · 8 s · 480p · 4:3

   @Image1 and @Image2 show the same young woman, Mira: keep her face, freckles, the single small beauty mark on her left cheekbone, hazel-green eyes and her wavy dark-brown hair with curtain bangs exactly. @Image3 and @Image4 show her 14th-century noble outfit; keep it exactly and unchanged: a deep sapphire-blue velvet gown with small gold buttons and gold-embroidered bands, a sapphire velvet mantle with a wide white ermine collar held by a gold chain between two round brooches, a low girdle of gold plaques, a slim gold circlet with a small sapphire, small gold hoop earrings, and flat soft pointed medieval leather shoes with no heels. @Image5 shows Mira's dragon: keep it exactly: a huge, friendly bronze-gold dragon with cream belly plates, folded leathery wings, two curved horns, calm amber eyes and a gentle, dog-like expression, a brown leather saddle with gold trim on its back. @Image6 shows the town: match its architecture, pale limestone, red-tiled timber-framed houses, cobbles and warm light.
   ONE SHOT, 8 seconds, no cuts. Late afternoon, warm golden sunlight. The castle's inner courtyard: pale limestone walls and towers, a wooden gallery, a stone well; knights in plate armour with open-faced helmets and a few townsfolk stand back along the walls. Mira's dragon has just landed on the cobbles, wings half folded.
   Everyone wears accurate 14th-century clothing (wool tunics, linen coifs, hooded capes; guards in mail shirts and open-faced iron kettle helmets, faces clearly visible, no visors, no face masks). The only modern thing in the whole frame is a bunch of six glossy paper shopping bags in cream and black with rope handles that Mira carries, plain and unbranded, plain and unbranded: no logos, no readable text anywhere.
   0-3s: the dragon lowers its shoulder to the cobbles like a kneeling horse; Mira sits in the saddle holding the shopping bags.
   3-5s: she slides gracefully down the dragon's shoulder onto the cobbles with all the bags in her hands.
   5-8s: she walks toward the camera with a calm, satisfied smile while the dragon behind her lowers its head and wags its tail like a well-behaved dog; a knight bows.
   Camera: Static wide low-angle shot from the courtyard floor on a 35mm lens, the tip of the dragon's tail softly out of focus in the foreground. 0-3.5s: the camera is still. At 3.5s a fast snap zoom-in to Mira and the shopping bags, then hold steady and sharp until the end. No whip pans, no shake, no motion blur on her face.
   Real documentary footage shot on location, natural true-to-life colours, real skin texture, no CGI look, no colour grading, no film grain, no text on screen.
   Sound: natural ambience and real sound effects only: the dragon's deep, calm breathing, leathery wings settling, rustling paper bags, footsteps on cobbles, a wordless murmur. No music. No dialogue: nobody speaks; any crowd sound is a wordless murmur or cheer.

10. 10. A rampart selfie with the dragon · 29.7–33.9 s

    Camera: Selfie POV on a phone's 24mm at arm's length; a snap zoom at 2.5 s, then a sharp hold.

    References: @Image1 outfit close-up (face visible) · @Image2 outfit body (faceless crop) · @Image3 outfit detail (faceless crop) · @Image4 dragon · @Image5 car · @Image6 town

    Seedance 2.5 Reference · 6 s · 480p · 4:3

    @Image1 shows the young woman, Mira: keep her face, freckles, the single small beauty mark on her left cheekbone, hazel-green eyes and her wavy dark-brown hair with curtain bangs exactly. @Image2 and @Image3 show her 14th-century noble outfit; keep it exactly and unchanged: a deep sapphire-blue velvet gown with small gold buttons and gold-embroidered bands, a sapphire velvet mantle with a wide white ermine collar held by a gold chain between two round brooches, a low girdle of gold plaques, a slim gold circlet with a small sapphire, small gold hoop earrings, and flat soft pointed medieval leather shoes with no heels. @Image4 shows Mira's dragon: keep it exactly: a huge, friendly bronze-gold dragon with cream belly plates, folded leathery wings, two curved horns, calm amber eyes and a gentle, dog-like expression, a brown leather saddle with gold trim on its back. @Image5 shows the car: keep it exactly: a bright yellow Italian-style supercar with sharp angular lines, scissor doors, dark tinted windows and black wheels with plain matte-black centre caps; plain bodywork with no logos, no badges, no emblems anywhere (not on the wheels, not on the nose), no text, no licence plate. @Image6 shows the town: match its architecture, pale limestone, red-tiled timber-framed houses, cobbles and warm light.
    ONE SHOT, 6 seconds, no cuts. Golden hour at sunset. Mira stands on the walkway of the castle rampart beside a stone crenellation; far below her lie the town's red roofs, the gatehouse and the lowered drawbridge, and at the foot of the drawbridge the parked yellow supercar.
    Everyone wears accurate 14th-century clothing (wool tunics, linen coifs, hooded capes; guards in mail shirts and open-faced iron kettle helmets, faces clearly visible, no visors, no face masks). The only modern thing in the whole frame is the yellow car far below, plain and unbranded: no logos, no readable text anywhere.
    0-2s: Mira smiles into the lens and gives one slow, confident wink.
    2-4s: behind her, the dragon's huge head rises slowly over the crenellations into the frame and leans in next to her face, as if posing for the selfie.
    4-6s: Mira laughs softly, rests her cheek against the dragon's jaw and blows a small kiss to the lens; the dragon blinks calmly.
    Camera: Selfie POV on a phone's 24mm lens at arm's length, eye level, no phone visible; steady, tiny natural hand movement. 0-2.5s: still. At 2.5s a quick snap zoom-in framing Mira and the dragon's head together, then hold steady and sharp. No whip pans, no shake. Low sun to her side: warm key light, subtle natural lens flare.
    Real documentary footage shot on location, natural true-to-life colours, real skin texture, no CGI look, no colour grading, no film grain, no text on screen.
    Sound: natural ambience and real sound effects only: evening wind, the dragon's deep calm breath, swallows, a soft wordless laugh. No music. No dialogue: nobody speaks; any crowd sound is a wordless murmur or cheer.